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Viewpoint

by Todd Brown
 

Apparently the show is compelled to demonstrate over and over that Victor is great and powerful and that even if his children abandon him he can still control their every move. I'm surprised he didn't demand that Nikki show up for the big announcement as well. You would think that Victoria and Nicholas would have told him that unless he was on his death bed he could tell them whatever he had to say over the phone. But that wouldn't stroke Victor's ego the way this show seems to demand, hence that ridiculous command performance.

Nonetheless, Victor remains the driving force for Nikki no matter how many times he beats her down and trashes her. News of his engagement propelled Nikki into an ill advised rush to the altar despite the many signs sent her way advising against such a move. This included a rather comical commercial flight to Mexico that included a sick, coughing, snoring woman with a cat on the flight with her and David. I can't be alone in feeling sorry for the cat. If they wanted us to relate to Nikki they should have stuck an inattentive mother and four screaming brats in the seat behind her. Then we'd know how she felt. Throw in a copy of Restless Style magazine in the back of the chair to seal the misery.

So now she's Nikki Chow I guess. Sounds like something they feed the hogs up in Iowa. You know, with those juxtaposed scenes of Nikki and David with Victor and Sabrina, it seems like the show is pushing the agenda that Victor and Nikki are still supposed to be together, somehow. Didn't Victor basically call Nikki a whore and do everything possible to make sure she wound up on the streets without a dime to her name? Now that's what I call romance.

And if the broken elevator of contrivance wasn't enough to convince you that Nikki and Victor will forever be married, if only in scenes together, then beware. Nikki apparently has an issue with claustrophobia. Small spaces frighten her. Maybe that's because the last time she was trapped in a confined space she shot a kid dead. Look out.

You know, if Victor has exotic, 30 something French women throwing themselves at him, I don't see why Katherine can't have a boy toy. She's wealthy too, after all. Shouldn't she have some young stud following her around, telling her how lucky he is to have found her, and praising her sagging flesh everywhere she goes? Seems to me there's a double standard going on here.

Wow, Daniel really missed his calling in life. That picture he drew of Amber was of professional portrait quality. I had no idea he had such artistic talent. He shouldn't be wasting his future at some dumb magazine as a photographer's flunky, he should be combining his interests and abilities into something that can be both rewarding and fulfilling. Daniel, I have two words for you: pornographic comics. Think about it.

Oh Karen, we hardly knew ye. From campaign manager to cosmetics division runner to aspiring lounge singer, it was apparent all along that this woman had far more to offer than Genoa City could ever take. Her only mistake was getting involved with Neil Winters, as the women in his life seldom fare well. She should count herself lucky she's getting out alive instead of going over a cliff, never to be found again, let alone searched for. Now Neil can commiserate with Paul and Brad over the fact that women vanish on them and wonder why.

I just want to know, what crawled up Devon's ass and died? Is this kid never happy? He's got to be the most miserable, nasty, grouchy person in town. He's Old Man Potter as a youth. And is he a eunuch? He's got Chloe drunk off her ass and willing to throw herself at anything that moves, and all Devon can do is scowl at her. He's certainly not getting any action anywhere else, and little wonder why. Not unless he inherited Daniel's porn stash, anyway.

So why exactly is Gloria poor? Isn't she a vice president at Jabot, and isn't she surely making six figures there? It's not as if she has a mortgage, she lives at the athletic club. If this is the show's idea of making Gloria pay for her sins we should all be so lucky. God forbid I should ever have to give up my millions to live in a cardboard box on the street when I've got a solid income that guarantees I have a comfortable life. I sense that the people who write this show think it takes more than 50 millions dollars to have a decent standard of living. Which would seem to explain their inability to connect with a wider audience.

No wonder the show blows.

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